Symbols | A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z

Index: S

sales, music: Designing music loops
sampling frequency: MP3 technical details
sampling rate: Digital audio demystified
- Kbps Internet standard
- codecs: Selecting the right RealAudio codecs
screens, transitions between: Timing loops
scripting controls, fade-out: Timing loops
scrollingnews window type, RealText: Window types
- example of: Window types
sc_serv.ini: Additional server options
SDMI (see Secure Digital Music Initiative)
Secure Digital Music Initiative (SDMI): Selecting tracks
- Is MP3 legal?
security
- broadcasting over Intranet: Broadcasting through firewalls
- Internet music delivery: Liquid Audio
- music piracy: Selecting tracks
seek time: Microphone pre-amps
Selective Record option, RealAudio batch encoding: Encoding RealAudio with a batch processor
seq tag, SMIL: Establishing a timeline
sequencers: MIDI file editing tutorial
servers: Windows Media Technologies (Netshow)
- (see also RealServer; web servers)
- CDDB: Working with the CDDB
- FTP: Creating your own MP3 site
- Liquid Server: MP3 resources
- Server Name option, RealAudio batch encoding: Encoding RealAudio with a batch processor
- Windows Media Server: Windows Media Technologies (Netshow)
Shockwave: Streaming protocols
- Interactive Sound Design with Flash and Shockwave
- Introduction to Shockwave
- audio files, exporting: Exporting Shockwave audio files
- audio files, optimizing: Optimizing your Shockwave audio files
- creating transparent loops: Creating transparent Shockwave loops
- drawbacks: Drawbacks to Flash and Shockwave
- - Introduction to Shockwave
- embedded audio cast members: Using Shockwave "internal" sounds: embedded cast members versus streamed SWA sounds
- embedded internal sounds: Using Shockwave "internal" sounds: embedded cast members versus streamed SWA sounds
- embedding in frames: Optimum loop length
- interactive mouse rollover sounds: Adding sound effects
- interactive multimedia: Flash and Shockwave basics
- Lingo: Introduction to Shockwave
- Rasberry Media Player, using with: Quick and easy audio streaming with Shockwave
- streaming audio: Shockwave streaming audio
- transparent movies: Optimum loop length
Shockwave Flash files (.swf): Creating RealFlash content
shotgun microphones: Directionality and pick-up patterns
SHOUTcast: Server performance and software quality
- Start your own MP3 radio station
- MP3 resources
- configuring: Configuring and starting the system
- DSP plug-in: Running your own station
- MP3 codec: Installing an appropriate MP3 codec
- server software: Installing the SHOUTcast server software
- servers: Start your own MP3 radio station
sibilance, removing: Removing sibilance
signal-to-noise (s/n) ratio
- mixing boards: Mixers
signals, routing with mixers: Mixers
silence
- smoothing out: Avoiding gaps between edited sections
- using in soundtracks: Audio challenges and limitations
Silicon Graphics: Remote encoding and management
sites
- determining purpose of: Designing web audio
- navigation, improving: What you can do with sound on the Web
skins
- creating: Skins
- templates: Skin-making tutorial
Smart-Shockwave: Audio challenges and limitations
SMFs (standard MIDI files): MIDI editors
SMIL (Synchronized Multimedia Integration Language): Streaming media formats
- Windows Media Technologies (Netshow)
- Creating synchronized RealAudio presentations with RealSystem 5.0
- applications supporting: Designing Multimedia Presentations with SMIL and RealSystem G2
- Composer and Allaire authoring tools: Designing Multimedia Presentations with SMIL and RealSystem G2
- display area: SMIL syntax
- RealFlash file, sourcing into: RealFlash
- RealSystem G2, use with: SMIL
- syntax: SMIL syntax
- timeline: Establishing a timeline
smil tag, SMIL: SMIL syntax
SND files, converting to RealMedia formats: Using the RealEncoder
Solaris: Windows Media Technologies (Netshow)
- RealServer system requirements
- Live broadcasting with RealAudio
- remote encoding: Remote encoding and management
Sonic Foundry: Optimizing Your Sound Files
sonic realism: Designing music loops
Sonicopia: Lesson 5: Putting it all together
sonifying websites, Beatnik System: Authoring with Beatnik
- adding background music: Lesson 3: Adding simple background music
- mouseover, simple: Lesson 1: A simple mouseover
- multiple Music Object instances on page: Lesson 4: Creating multiple Music Object instances on a page
- navbar, building: Lesson 2: Building a sonified navbar
- putting together audio behaviors: Lesson 5: Putting it all together
Sony Memory Stick players: MP3 resources
Sony Walkman: Selecting tracks
sound
- digital audio, converting to: Digital audio demystified
- editing: Optimizing Your Sound Files
- ornamental: Good ambient loop mixing
- producing: The science of sound
- sweetening: Digital effects
- types of: Designing web audio
- wet versus dry: Reverberation and delay
sound cards
- better, analog to digitial conversion: Capturing live audio with the RealEncoder
- input levels: Professional webcasting
sound design
- colors: Using sound effects
- frequencies, selecting: Selecting sounds
- history: Solid sound design
- interactive, case study: Interactive sound design case study
- interactive sound effects and buttons: Interactive sound effects and buttons
- principles of: Solid sound design
- techniques: Audio challenges and limitations
- web audio: Designing web audio
- - mistakes to avoid: Easy-to-use narration
  - music loops: Designing music loops
  - narration: Easy-to-use narration
  - sound effects: Using sound effects
sound effects: Adding sound effects
- Designing web audio
- ambient loops, compared to: Sound loops versus repetitive sound effects
- event-driven: Flash audio: event-driven sound versus streaming sound
- Flash intro screen: Using sound effects
- interactive: Interactive sound effects and buttons
- JavaScript example: Adding sound effects
- libraries: Designing music loops
- sonic realism: Designing music loops
- using: Using sound effects
Sound Forge: Optimizing Your Sound Files
- Using Shockwave "internal" sounds: embedded cast members versus streamed SWA sounds
- Acid looping tool: Designing music loops
- pitch shift: Pitch shift
sound loops
- length: Optimum loop length
- repeating: Timing loops
- seamless loops, creating: Sound loop tutorial: creating seamless loops with a sound editor
sound peaks, reducing: Compression: reducing sound peaks and spikes
sound waves: Sound propagation and acoustics
SoundBlaster AWE32: Creating your own MIDI files
SoundBlaster Pro sound card: Capturing high-quality live sound
SoundEdit 16: Desktop audio recording
- Optimizing Your Sound Files
- Using Shockwave "internal" sounds: embedded cast members versus streamed SWA sounds
- bender effect: Bender
- digital effects: Reverb
- normalization: Normalization: maximizing the dynamic range
- pitch shift: Pitch shift
SoundEdit Pro
- reverberation: Reverb
SoundFX PageTunes: Add a bit of spice to your site
SoundJam: Playing MP3 files
- MP3 resources
SoundPlay: An easier way?
soundtracks
- looping: Adding a looping music soundtrack
- web: What you can do with sound on the Web
speech
- microphones for recording: Capturing high-quality live sound
- RealAudio file, encoding from AIFF or WAV: Lossy compression
spikes
- reducing: Compression: reducing sound peaks and spikes
- removing: Deleting a spike
Spinner: Learning curve and documentation support
standard MIDI files (SMFs): MIDI editors
standards
- digital audio encoding: Digital audio demystified
- lack of: Audio challenges and limitations
- MPEG: What is MP3?
Stanford University MedNET: RealPlayer
static encoding: RealEncoder and RealPublisher
steps: Bender
stereo ISDN: Selecting the right RealAudio codecs
stereo playback: Flash audio: event-driven sound versus streaming sound
strategy games: Flash and Director Shockwave
streaming formats: Streaming media formats
- advantages and disadvantages: Selecting the right format
- audio fidelity: Audio fidelity and compression
- costs: Cost for streaming audio
- Director Shockwave: Flash and Director Shockwave
- documentation and support: Learning curve and documentation support
- Flash: Flash and Director Shockwave
- Liquid Audio: Liquid Audio
- low-bandwidth environments: Low bandwidth performance overall
- MIDI: MIDI
- MP3: MP3
- Quicktime: QuickTime
- RealMedia: RealMedia and RealAudio
- Rich Music Format: Beatnik's Rich Music Format (RMF)
- Windows Media: Windows Media Technologies (Netshow)
streaming sounds, event sounds vs.: Flash audio: event-driven sound versus streaming sound
studio recordings: Studio recording
- acoustics: Proper room acoustics: capturing a "dry" signal
- condenser microphones: Condenser microphones
- desktop: Desktop audio recording
- isolation: Optimizing your recording environment
studio reference headphones: Headphones
studio reference speakers: Studio reference speakers
studio voice-overs, dynamic microphones: Dynamic microphones
subsonic sound: The science of sound
Sun OS 4.1.x: RealServer system requirements
SureStream: SureStream
SVCD (MPEG-1 supervideo): Selecting tracks
SWA Export Xtra: Exporting Shockwave audio files
SWA files: Using Shockwave "internal" sounds: embedded cast members versus streamed SWA sounds
SWF files: Creating RealFlash content
swftune utility: Creating RealFlash content
Synchronized Multimedia Integration Language (see SMIL)
synchronized multimedia presentations: RealMedia and RealAudio
synthesizers: Creating your own MIDI files
system noise: Avoiding gaps between edited sections

Symbols | A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z